PREORDER UPCOMING RELEASES
The 1989 album changed my life in countless ways, and it fills me with such excitement to announce that my version of it will be out October 27th. To be perfectly honest, this is my most FAVORITE re-record I’ve ever done because the 5 From The Vault tracks are so insane. I can’t believe they were ever left behind. But not for long! Pre-order 1989 (Taylor’s Version) now.
1989 (Taylor’s Version) Vinyl
Including 5 previously unreleased songs from The Vault
1 of 4 Editions: Collectible album gatefold jacket with unique front and back cover art
2 Crystal Skies Blue vinyl discs
1 of 4 Editions: Collectible album sleeves including lyrics and never-before-seen photos for each version
Vinyl: $37.98 PREORDER
ONE MORE TIME... is the highly anticipated new album from blink-182, featuring the group’s iconic lineup together again – Mark Hoppus [bass, vocals], Tom DeLonge [guitar, vocals], and Travis Barker [drums]. The trio recorded ONE MORE TIME... over the course of 2022 and 2023 in the midst of their blockbuster reunion tour, which sold out arenas, amphitheaters, and stadiums across the world. ONE MORE TIME… features 17 new songs that capture the band at the top of their game, layering in themes of tragedy, triumph, and most importantly, brotherhood.
The surprise companion to The National’s April release First Two Pages of Frankenstein, Laugh Track is the band’s most freewheeling, all-hands-on-deck album in years. If Frankenstein represented a rebuilding of trust between group members after 20+ years together, the vibrant, exploratory Laugh Track is both the product of that faith and a new statement of intent. Reveling in the license to radically upend its creative process, The National honed most of this material in live performances on tour, and captured those invigorated versions in impromptu sessions at producer Tucker Martine’s Portland studio. Two nights later in Vancouver, the nearly eight-minute album closer “Smoke Detector” was recorded during soundcheck, completing a body of work bristling with spontaneity and vintage rock energy that makes a perfect complement to the songs found on its more introspective predecessor.
Vinyl: $23.98 PREORDER
Torchbearers for British guitar music, The Vaccines - Justin Young (lead vocals, guitars), Árni Árnason (bass, vocals), Timothy Lanham (guitars, keys, vocals) and Yoann Intonti (drums) - are back with their sixth studio album Pick-Up Full of Pink Carnations. The title comes from a misremembered lyric from Don McClean's "American Pie," a song that for Young fittingly evokes the death of innocence and the American Dream. After he moved to Los Angeles - a city the band has grown up being captivated by - he was forced to wrestle with the disillusionment that comes when expectations, dreams, and reality don't quite meet. Yet, though Pick-Up Full of Pink Carnations is an album about reconciling with loss, it's also filled with gratitude for the people and places we once loved.
"Pink carnations symbolise gratitude and tell a person they’ll never be forgotten," says Young. "So whether it's the loss of a lover, or a friend, or even just a dream, the record is a reminder that they’ll live on in whatever capacity the mind allows them to. And it's a reminder to keep on dreaming.”
Produced by Andrew Wells (Halsey, Phoebe Bridgers) with Mixing from Dave Fridmann (Tame Impala, The Flaming Lips), Pick-Up Full of Pink Carnations is an immediately anthemic addition to the band's discography. With a mammoth five UK Top 5 albums – including a Number 1 with 2012’s Come of Age – and a fierce live reputation forged through arena-filling headline shows and unforgettable slots at Glastonbury and Reading/Leeds, The Vaccines continue to be a vital band in the British rock canon.
Standard: Recorded in Los Angeles in less than two months with a close-knit group of producers, HELLBOY became Lil Peep’s breakthrough mixtape upon its initial release on September 25, 2016. He was just nineteen-years-old. HELLBOY made waves in underground circles for its gritty vocals and sampling of classic guitar riffs, and remains a fan favorite seven years later.
“We know Gus would love to see Hellboy released so beautifully on vinyl for his fans.” - Lil Peep’s mother, Liza Womack. This is a double LP, gatefold packaging, featured on cloudy red vinyl. 45RPM, and includes a HELLBOY sticker.
Toby Keith just doesn’t sing #1 hits, he also writes them, solo, hence 100% Songwriter, compilation of 13 Keith self-penned country music hits featuring 5 #1 singles: "Should’ve Been a Cowboy," "Who’s That Man," "You Shouldn’t Kiss Me Like This," "Courtesy of The Red White and Blue (The Angry American)" and "Who’s Your Daddy". During Keith's career he has achieved 42 top 10 hits, 32 No. 1s, 40 million albums sold and more than 10 billion streams.
Ed Sheeran is releasing his new album Autumn Variations on September 29 through Gingerbread Man Records. The album has been produced by Aaron Dessner and features 14 new tracks.
“Last autumn, I found that my friends and I were going through so many life changes. After the heat of the summer, everything either calmed, settled, fell apart, came to a head or imploded,” says Ed Sheeran.
“When I went through a difficult time at the start of last year, writing songs helped me understand my feelings and come to terms with what was going on, and when I learned about my friend’s different situations, I wrote songs, some from their perspectives, some from mine, to capture how they and I viewed the world at that time. There were highs of falling in love and new friendships among lows of heartbreak, depression, loneliness and confusion.”
“My dad and brother told me about a composer called Elgar, who composed ‘Enigma Variations’, where each of the 14 compositions were about a different one of his friends. This is what inspired me to make this album. When I recorded Subtract with Aaron Dessner, we clicked immediately. We wrote and recorded non-stop and this album was born out of that partnership. I feel he has captured the feeling of autumn so wonderfully in his sonics and I hope everyone loves it as much as I do.”
Vinyl: $174.98 PREORDER
Green Day’s third studio album Dookie was released in February 1994, and has since sold over 15 million copies worldwide, including 10 million in the US (RIAA Diamond certified). The album is an iconic punk-rock-pop masterpiece and one of the most influential and defining albums of the 1990’s. It spawned five hit singles that are still hugely popular songs: “Longview”, “Basket Case”, “Welcome to Paradise”, “When I Come Around”, and “She”.
Limited Edition Super Deluxe Box Sets (vinyl and CD) will be released on September 29, 2023, to celebrate the 30th Anniversary of this landmark album.
In addition to the original album, the super deluxe box sets will include a wealth of rare and unreleased material. The legendary Woodstock ’94 performance is included – previously released as a very limited Record Store Day vinyl release. The 6 LPs (or 4 CDs) also feature 17 unreleased demos, 6 studio outtakes (3 unreleased), and a 17-track unreleased club show from Barcelona in 1994.
The deluxe vinyl box features the six LPs pressed on 6 different varieties of brown vinyl, plus a 36-page 12” x 12” book. The box also includes many fun memorabilia items inspired by the “Dookie” artwork: Doggie Poop Bags, Air-Freshener, Poster, Color-in litho, Button Set, Magnet Sheet, Postcard, Bumper Sticker and Paper Plane.
The CD box includes 4 CDs (the same audio content as the vinyl box), 48-page book, Button Set, Air-Freshener, Magnet and two stickers.
Wilco’s thirteenth studio album, Cousin, was recorded in the band’s legendary Chicago studio – The Loft – over a period of two years. The ten new tracks are written by band leader Jeff Tweedy and feature musical performances by the longtime lineup of Nels Cline, Mikael Jorgensen, Glenn Kotche, John Stirratt, Pat Sansone and, of course, Tweedy on lead vocals.
After a short detour back into their country-influenced roots via last year’s Cruel Country double album, Cousin sees Wilco back in their more familiar progressive and experimental rock territory. Tweedy’s singular songwriting voice is in full evidence, with lyrics weaving across a variety of topics – from the iconoclastic to the introspective.
Adding a unique and new element to the recording process was the attachment of Welsh singer/songwriter Cate Le Bon as producer – the first time an outsider has been actively involved in a Wilco recording session for more than ten years, since Yankee Hotel Foxtrot. Le Bon brought her unique musical perspective to the band’s trademark sound and provided them with an inspiring new challenge to push their musical boundaries.
A first time to vinyl reissue treatment of HAIM’s chart-topping debut album Days Are Gone, in celebration of the 10th anniversary. Featuring the six singles, ‘Forever’, ‘Don’t Save Me’, ‘Falling’, ‘The Wire’, ‘If I Could Change Your Mind’ & ‘My Song 5’, the record hasn’t been reissued since its release in 2013. Housed in an entirely new package, the album features a track list compiled by the band of their favorite demos and remixes on transparent green vinyl. Also features an exclusive fold out poster.
The Family Business compiles the Jonas Brothers’ hit singles together in one collection alongside two tracks from DNCE and four tracks from Nick Jonas’ solo albums. The release serves as a companion piece to their current live show dates (entitled “The Tour”) and their most recent studio release The Album which reached the top 3 in the USA and the UK upon release in May 2023. 2023 has been a busy year for the trio that has also included an appearance on Saturday Night Live, a sold-out residency on Broadway, tour dates at Yankee Stadium, Wrigley Field and Dodger Stadium, and a collaboration with TOMORROW X TOGETHER. In July, the recent Streamy Award winners announced an extension for “The Tour” with added dates in North America into December 2023, as well as shows in Australia, New Zealand and across Europe in 2024.
Djo – the critically acclaimed brainchild of multi-talented musician/actor Joe Keery – makes its long awaited return with the game-changing new album, DECIDE. A spellbinding collage of snaky pop hooks, neon melodies, and deeply personal singer-songwriter lyricism, the album melds high-tech songcraft with quick wit, irrepressible spirit, and an impressive breadth of vision that showcases glowing synths and big beats over the trippy guitars that defined 2019’s acclaimed debut, TWENTY TWENTY. Blissed-out bops like “Change” see Keery delving deep into a broad spectrum of eclectic influences, deconstructing hyperpop, euphoric psychedelia, spiky new wave, and symphonic 70’s rock into something utterly unique via dauntless melodies and technical innovation.
Twenty Twenty: Joe Keery, who you may also recognize from the show “Stranger Things,” began playing music in his teens after co-opting his sister’s guitar, but it was during his college years at DePaul University in Chicago that he formed his first band and began to seriously pursue music. That band was Post Animal, the heavy psych rock outfit that went on to release a self-titled EP and two subsequent albums via Polyvinyl. They also toured with artists like Twin Peaks, Wavves and Cage The Elephant and played a number of US festivals. In 2019, with no announcement or fanfare, Keery’s solo-project Djo was unveiled not with a single, but a lush, self-reflective, layered 12 track full-length album titled Twenty Twenty. “Joe Keery built a carnival. The resonance of each riff or beat is not new, but redesigned and reshaped into the beauty it is today. The face of psych or alternative mirrored through his own design, and it reveals a person who shouldn’t be underestimated,” said Rodeo Mag. Despite the album being released under the radar and without a label, fans found their way to it, and Twenty Twenty has now seen more than 200 million streams to date.
Vinyl: $24.98 PREORDER
Jason Isbell's songs are filled with ghosts. They're haunted by spirits both welcome and unwelcome, by the personal and historical legacies that make us who we are. Nowhere Is this more evident than on his 2013 breakthrough album Southeastern. Isbell offers confessions. reflections. and promises that contront and make communion with those who have come before and remain wIth us still. Its twelve tracks represent an extended meditation on the concept articulated by another celebrated southern storyteller, author William Faulkner: "The past is never dead. It isn't even past."
Vinyl: $29.99 PREORDER
Steve Miller Band’s eighth studio album, The Joker, was a huge turning point for the band. Released in 1973, the platinum-certified record features the #1 title track which became a worldwide hit. To celebrate its 50th anniversary, this limited-edition gold vinyl pressing is available exclusively through indie retail stores.
Also Available 2CD, Super Deluxe Edition 3LP + 7in, Indie Exclusive Limited Edition Gold LP
RSD Essential 045 * First time on colored vinyl & includes 4 BONUS TRACKS * 311’s debut studio album ‘Music’ celebrates 30 years. Newly remastered and expanded on translucent orange vinyl and a specialized Pearl embossed cover. Includes 4 demos on vinyl for the first time.
Dusk, Boy Named Banjo’s exhilarating new album, is indeed an electrifying dose of lightning in a bottle, one that explores the full sonic and emotional spectrum of the band’s rich, eclectic sound, from late-night, feel-good, fall-in-love party anthems to stripped-down, introspective meditations on loneliness, loss, and letting go. The writing is keen and incisive here, artfully grappling with lust and longing, hope and heartbreak, regret and redemption, and the Nashville five-piece’s performances are nothing short of exhilarating, blurring the lines between Music Row and Laurel Canyon with lush harmonies and bold, cinematic arrangements.
Charley Crockett's latest full-length studio album 'The Man From Waco' saw the TX-based singer/songwriter reach new heights in both his artistic expression as well as his public recognition. On Nov 14th, 2022, Charley headed to Nashville, TN for his debut (and sold out) concert at the historic Nashville venue the Ryman Auditorium. These recordings capture the live energy and raw talent of one of modern music's best live performers.
Hitchock and Herrmann, Spielberg and Williams, Zemeckis and Silvestri, Burton and Elfman, Fellini and Rota. There’s a certain kind of magic that happens when a director and composer work together for an extended period; their imaginations are fuelled by an artistic sensibility which becomes, inevitably, entwined. Such deep understanding between two artists has proffered memorable, even legendary, cinemusical experiences. But there’s another of these partnerships we must honour and mention in the same breath, that of director Hayao Miyazaki and composer Joe Hisaishi.
On Yard, Wisconsin-bred, Chicago-based four-piece Slow Pulp nes- tles comfortably into pockets of nuance, impressions, contradictions— sonics and lyrics finessed together to bottle the specific tension of a feeling you’ve never quite been able to find the right words for. In that regard, listening to Slow Pulp can feel like being in a room with someone who’s known you so long that they can read your every micro-expression and pinpoint exactly how you’re feeling before you can. Perhaps this spawns from the band’s own shared history and chemistry; in various ways, the four of them grew up—are still grow- ing up—together.
The dreamy songs of the Midwest indie rock outfit draw on moody shoegaze, hooky grunge, and intimate lo-fi fare. The band made their full-length debut with Moveys in 2020. After the downcast 2021 7” Deleted Scenes, they put the focus on hooky grunge pop for singles like 2021’s “In Too Deep” and 2023’s “Cramps.” Yard is their second full-length album and first for ANTI-.
At this point, it is almost impossible to say what makes for a classic Animal Collective album; the standard fluctuates with the weather, your temperament, whatever chemicals may or may not waft through your mind. But from start to finish, first listen to last, Isn’t It Now? absolutely lands as a classic, its mix of playfulness and earnestness, glittery pop and tessellated textures seeming to synthesize and update all that has ever made and still makes this band so compelling. It is experienced and wise, energized and young, the work of four people committed to finding the frontier of a beginner’s mind, together. Recorded, mixed and co-produced by Russell Elevado (D’Angelo, The Roots, Kamasi Washington).
All-new reissue of the critically acclaimed and long-out-of-print 2009 debut solo album from The Black Keys singer and guitarist Dan Auerbach. An intimate and underrated affair with shades of greazy rock & roll, blue-eyed soul, and bluegrass hollers. Reissued with new artwork and pressed from the original master.
Vinyl: $45.99 PREORDER
Mac Miller's Swimming marked a pivotal point in the late artist's career. His devotion to constant sonic exploration and artistic reinvention had already been well-documented prior to the album's release -- the quantum leap from his Billboard chart-topping debut Blue Slide Park to his sophomore album Watching Movies with the Sound Off, his tour de force as a producer on his 2014 mixtape Faces and ability to direct a full band on 2016's The Divine Feminine were evidence of his steadfast commitment to growth in his craft. Yet upon its release, Swimming was immediately understood by both his fans and critics alike as the high water mark of his career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade. This understanding was reinforced when, just 3 days after the album's release, NPR Music published a Tiny Desk Concert where Miller and band performed album cuts "Small Worlds," "What's The Use?" featuring regular collaborator Thundercat and "2009" with a full band. The now-iconic performance remains one of the highest streamed performances in the history of NPR's Tiny Desk Concert series and is now available on vinyl for the first time.
NPR Music Tiny Desk Concert vinyl, featuring the live recording of the 2018 performance from NPR Headquarters in Washington, D.C.
Vinyl: $79.98 PREORDER
Mac Miller's Swimming marked a pivotal point in the late artist's career. His devotion to constant sonic exploration and artistic reinvention had already been well-documented prior to the album's release -- the quantum leap from his Billboard chart-topping debut Blue Slide Park to his sophomore album Watching Movies with the Sound Off, his tour de force as a producer on his 2014 mixtape Faces and ability to direct a full band on 2016's The Divine Feminine were evidence of his steadfast commitment to growth in his craft. Yet upon its release, Swimming was immediately understood by both his fans and critics alike as the high water mark of his career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade. The album has stood the test of time as one of his greatest musical statements and is available as a 2-disc vinyl box set that includes milky clear/hot pink/sky blue marble LPs in custom clear printed sleeves, eight 12” x 12” lyric cards, one 24” x 24” silver print poster printed on Lumina Platinum colored paper all house in a tri-fold jacket and packaged in a double-walled slipcase with rainbow foil and embossed detail in celebration of the album's 5 year anniversary.
The group’s second LP for Epitaph finds HUNNY playing in a brand-new musical sandbox, balancing the haze of hindsight with a sun-soaked SoCal summer.
From the meditative track “my own age” and breakbeat-backed, late ’90s-leaning “all my luck” to the lo-fi punk standout “ring in your ear” (featuring Motion City Soundtrack’s Justin Courtney Pierre) and made-for-dashboard-drumming “89cc” (complete with a searing sax solo) the album is a testament to the band’s musical fluency and dedication to their craft.
HUNNY was born out of the tight-knit North LA indie-rock scene of the mid-2010s, sharing stages and even band members with acts like The Neighbourhood and Bad Suns from an early age. The band is well established in the digital space, having racked up over 300+ Million streams to date on their catalog.
By the time the band had secured a record deal with legendary Epitaph Records and released their 2019 debut full-length, Yes. Yes. Yes. Yes. Yes., outlets like Alternative Press were hailing HUNNY – vocalist/guitarist Jason Yarger, guitarist Jake Goldstein, bassist Kevin Grimmett and drummer Joey Anderson – for their spin on “perfunctory electronic and new-wave pop, teeming with love, heartbreak, neuroses and impeccably sweet dancing shoes.”
Now, on the verge of entering their second decade together, it’s clear HUNNY’s greatest asset is their disinterest in doing anything besides what moves them. It’s afforded them great range as a band, the ability to naturally shapeshift on their own albums as well as win over audiences across the entire rock spectrum. Most importantly, it’s propelled them to be unapologetically themselves and trust what’s gotten them this far.
The Steel Woods, the renowned Southern rock band, have captivated audiences with their powerful sound and heartfelt lyrics over their past three albums. With their fourth album, On Your Own Time, they embark on a poignant and emotional journey loosely following the trajectory of Uncle Lloyd, a charming but dissolute character first introduced on the Woods' debut album, 2017’s Straw in the Wind. This ambitious album not only showcases their musical evolution and episodic storytelling abilities but also serves as a tribute to the vision and legacy of their late co-founder, Jason "Rowdy" Cope, who passed away just before the release of their third album, All of Your Stones. Led by Wes Bayliss, the band's guitarist, lead vocalist and co-founder, The Steel Woods have poured their heart and soul into this album, creating a record that reflects their resilience, growth, and unwavering spirit.